
Dale Chihuly, Glasshouse Sculpture, 2012, 8.2 x 30.5 x 7 m, Chihuly Garden and Glass, Seattle © Chihuly Studio Photo by Nathaniel Willson

Chihuly Garden and Glass viewed from outside. Dale Chihuly, Chihuly Garden and Glass, 2012, Seattle © Chihuly Studio
The native of the Pacific Northwest has built his career on trying to make his art easily accessible. His brand of art isn’t something that’s so cold and detached that it may make life feel worthless; instead, it is inspiring. That’s what defines Chihuly as an artist, and there couldn’t have been anyone who better fit the Wright family’s plans for an art center that visitors could enjoy comfortably.
Chihuly had 6,070 square meters of space to work with, and he wanted to make the use of both indoor and outdoor spaces. Inspired by his mother’s garden from his childhood, Chihuly worked with landscape architects to form the ‘Garden.’ Then the ‘Glasshouse’ was erected at the center of the garden, so that Chihuly could exhibit sculptures specifically built for the place. Chihuly has long had fascination with glass buildings, and not just glass greenhouses, either. He’s been collecting postcards and photos of train stations and industrial buildings made of glass. And the Glasshouse is truly the dream-come-true moment for Chihuly. He drew his inspiration from Sainte-Chapelle in Paris and Crystal Palace in London. The ‘Exhibition’ houses eight galleries, a theater and a café. Chihuly Garden and Glass opened in May 2012 as a long-term exhibit.

Persian Ceiling, resembling an undersea tunnel at an aquarium. Dale Chihuly, Persian Ceiling, 1999, 10.7 x 4.4 m, Chihuly Garden and Glass, Seattle, installed 2012 © Chihuly Studio Photo by Terry Rishel
Glass now became Chihuly’s passion. In 1966, he enrolled at the University of Wisconsin-Madison, which offered the first glass program in the United States. The following year, Chihuly went to the Rhode Island of School of Design (RISD) and received a Master of Fine Arts degree in sculpture. He had a chance to travel overseas with his scholarship money, and he chose to work at the Venini factory in Venice. He became the first American to blow glass there. After returning to the U.S., Chihuly set up a new glass program at RISD and taught for over 10 years.
As a sculptor, Chihuly also dabbled at bronze and ceramic, but nothing gave him the kind of satisfaction and sense of fulfillment that glass did. There was something magically inspirational about glass. Chihuly has broken down all stereotypes about glass, and has been experimenting with possibilities of its shape and expression.

Artist Dale Chihuly © Chihuly Studio

Artworks inspired by baskets of Native Americans. Dale Chihuly, Tabac Baskets (detail), 2008, Chihuly Garden and Glass, Seattle, installed 2012 © Chihuly Studio Photo by Nathaniel Willson

It’s in organic shape that seems to be moving on its own. Dale Chihuly, Mille Fiori (detail), 2012, 3 x 17.7 x 6.1 m, Chihuly Garden and Glass, Seattle © Chihuly Studio Photo by Scott Mitchell Leen

A piece that brings to the mind life or plants in the ocean floor. Dale Chihuly, Tiger Marlins (detail), 2012, Chihuly Garden and Glass, Seattle © Chihuly Studio Photo by Nathaniel Willson

A piece inspired by a boat floating on a Finnish river. Dale Chihuly, Float and Ikebana Boats, 2012, Chihuly Garden and Glass, Seattle © Chihuly Studio Photo by Terry Rishel
He grew up in the Pacific Northwest and it’s no coincidence that Chihuly loves water. And when it comes to glass, Chihuly especially loved the fact that it is transparent and reflective, just like water. The ‘Persian Ceiling’ at the Exhibition is built on that concept. It’s based on Chihuly’s earlier series called the Persians, for which he created imaginary sea creatures. The delicate patterns and energetic colors of clams give Chihuly’s pieces so much life. Hoping he would provide his audience with unique experience, Chihuly was inspired by pavilions with ivy roofs. He completed a fantastic space that makes you feel like walking through an undersea tunnel at an aquarium.

Chihuly’s glass pieces, built using different methods than other artsits’. Dale Chihuly, Macchia Forest (detail), 2012, Chihuly Garden and Glass, Seattle © Chihuly Studio Photo by Nathaniel Willson


The glass greenhouse and artworks viewed during the day appear brighter and more natural. © Shutterstock
Pieces there include ‘Pacific Sun,’ an explosion of yellow and orange; ‘Citron Icicle Tower,’ which soars through the sky among trees; and ‘Leeds’ series, which offers clear contrast in colors with plants around it. The highlight is clearly the ‘Glasshouse.’ Built specifically for the garden, the Glasshouse is a sculpture in a color palette of orange, yellow and red. AT over 30 meters long, it’s one of the largest suspended sculptures by Chihuly. He has intentionally left plenty of empty space inside the Glasshouse. Chihuly wanted the visitors to be able to view colorful, suspended pieces together with the sky in the background. In a perfectly Instagrammable shot, you can get Space Needle and Chihuly’s colorful glass pieces in the same frame.

Neodymium Reeds series, produced in Finland for unique coloring. Dale Chihuly, Neodymium Reeds (detail), 2012, Chihuly Garden and Glass, Seattle © Chihuly Studio Photo by Scott Mitchell Leen
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