
Opened earlier this year, Moynihan Train Hall is in Midtown Manhattan, as an expansion of Penn Station. It became the new home for Amtrak and Long Island Railroad (LIRR). Amtrak is a famous railroad service that cuts across America. LIRR is a major commuter rail system connecting Manhattan and Long Island in the southeastern part of New York. Penn Station serves 600,000 passengers per day as one of the busiest intercity railroad stations in the Western Hemisphere.

Quaker Grey marble, main materials for the center of the hall, floors and walls, creates a touch of warmth and comfort.

The train hall makes it easy for passengers to find directions.

Arched glass ceilings and steel trusses supporting them.
The station opened in 1910 and was immediately hailed for making traveling easier. Its design was something else, too. Built during the Gilded Age, the station adopted a Beaux-Arts architectural design. McKim, Mead & White the architectural firm that handled the design, took its cues from the Baths of Caracalla in Rome. Milford pink granite, honeycomb-coffered ceilings, arched trusses, mighty marble columns, and towering windows allowing light to pour in were all great sources of pride for New Yorkers.
But the beloved Original Penn Station was demolished in 1963, due to the decline in passengers after the conclusion of World War II. To reduce service, a new complex was put up in the original lot, with Penn Station moving underneath Madison Square Garden.

Emitting soft light, 72,000 LEDs placed inside the large sculpture create a fantastic view. / Elmgreen & Dragset, The Hive, 2020, Stainless steel, aluminum, polycarbonate, LED lights, and lacquer, Commissioned by Empire State Development in partnership with Public Art Fund for Moynihan Train Hall. Photo: Nicholas Knight, courtesy Empire State Development and Public Art Fund, NY
The Farley Building is humongous. It takes up two entire superblocks between Eighth and Ninth Avenues, and 31st and 33rd Streets. This was a challenging project. But in 2016, New York Governor Andrew M. Cuomo brought the idea back into the spotlight, announcing his plans to develop the building and the train hall through an innovative public-private partnership. Hope finally became reality. The building isn’t just there to provide railroad services: you can go shopping or grab a bite to eat. Presently, Moynihan Train Hall is the main feature, but later in the year, a 68,000m² commercial space will gradually fill in. Shops and restaurants are scheduled to open. Facebook has already committed to move in, and other companies are expected to follow.

The main concourse clock has four faces. Hung about 8 meters (25 feet) high, it’s easy to see from anywhere.

Covelano Silver marble was used at the base connected with steel columns.

Escalator to the platforms. Covelano Silver marble was used.
The vast space, far larger than present-day Penn Station, and light-filled atrium creates a sense of safety and health. The main train hall, without any columns blocking views, looks that much larger. Quaker Grey marble appoints the floors and walls there, bringing a touch of warmth when natural light shines through. The marbled comes from the same quarries in Tennessee that provided the marble for Grand Central Terminal 100 years ago. The proud American stone will stand the test of time.
The glass ceiling, which helps fill the hall with natural light at a height of 28 meters, takes up 4,046㎡. Skylight openings are framed with a linear light, which adjusts to complement daylight values. During even rush hours, it sets on a warmer white value. The same goes for the main concourse clock, designed by Peter Pennoyer Architects. The iconic font design was originally created for railroad and highway signage.

Artwork in the Ticketed Waiting Room. / Stan Douglas, 1 March 1914 and 2 March 1914, from Penn Station’s Half Century, 2020, Ceramic ink on glass. One of nine photographic panels from Penn Station’s Half Century, Commissioned by Empire State Development in partnership with Public Art Fund for Moynihan Train Hall ©Stan Douglas. Courtesy of the artist, Victoria Miro and David Zwirner. Photo: Nicholas Knight, courtesy Empire State Development and Public Art Fund, NY
At 31st Street mid-block entry, you can spot ‘The Hive,’ by the Berlin-based, Scandinavian duo, Elmgreen & Dragset. The inverted cityscape, featuring some 100 buildings, descends from the ceiling like luminous stalactite, and the artists used their mirror-like base for a reason. They wanted passengers to see their reflection and feel as if they were in an imaginary city. The name of the piece, ‘The Hive,’ implies that a city is built on collaboration by numerous people who accept particular rules in order to live with one another.

Modern-day people depicted in ceiling frescoes and stained glass. / Kehinde Wiley, Go, 2020 © Kehinde Wiley. An original work of art commissioned by Empire State Development in partnership with Public Art Fund for Moynihan Train Hall. Photographer: Nicholas Knight. Image courtesy of the Artist, Sean Kelly, New York, Empire State Development and Public Art Fund, NY
Transformations have begun. And we can count on so much more from New York.

Address 455 Madison Avenue at 50th St., New York
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Website www.lottenypalace.com